Jack Yarber is a name that music snobs throw around like some sort of rock and roll currency. Known to his most dedicated fans as simply Jack O. (a moniker he held while serving tenure with local legends The Oblivians), Yarber still lives up to the theory that in Memphis you can hardly be taken seriously as a musician if you play in less than three bands. Yarber has been or is a member of The Compulsive Gamblers, The Oblivians, Knaughty Knights, South Filthy, The Cool Jerks, The Limes, Loose Diamonds and the Natural Kicks. While most if those bands exude an ultra-cool underground vibe, Yarber’s introduction to rock was pretty similar to most guys in his age bracket.

“I think when I was a kid I liked comic books and that got me into Kiss and through Kiss I discovered The Beatles and The Stones” says Yarber. “I just wanted to play guitar or drums, and I even picked up the sax for a while, I’m not a master at any instrument, but I’m ok on some.”

Yarber moved to Memphis in the summer of ’87 to play music with his cousin. The cousin ended up returning to Corinth, MS while Yarber decided to stick around. It was a chance meeting with Greg Cartwright that led to the formation of The Compulsive Gamblers, a band that seems to receive a lot more respect in hindsight than they ever did when they were actually together.

“We did two seven inches and recorded a bunch of songs on home recordings, we recorded in Easley, but we never really had an album,” explains Yarber.” Our CD came out after The Oblivians started playing, before that no one was really interested in putting it out.”

The Oblivians, still Yarber’s most well known band, was formed in 1993 and included Yarber, Cartwright and Eric Friedl, with all three members performing on drums, guitar, and vocals, switching during shows. They were well known as a staple in the garage rock movement of the ‘90s. But even with sold out tours in the states and in Europe, their DIY aestetic kept them under the mainstream radar and off the radio dial.

By the late ninties, the thrill was gone and the members all went their separate ways, Cartwright started The Reigning Sound, Friedl started The Goner Records store and label, and after a couple of solo records Yarber hooked up with Scott Bomar and started The Tearjerkers. Bomar eventually became more involved in film scoring, working on both Memphis filmed Craig Brewer productions, Hustle & Flow and the upcoming Black Snake Moan, and the band evolved into a project solely based around Yarber penned songs, currently known as The Tennessee Tearjerkers.

“Jack is one of the finest songwriters around,” says Bomar. “He’s one of the biggest unknown rock stars in town. I am a huge fan.”

The first Tennessee Tearjerkers album, Bad Mood Rising didn’t go over too well with former Oblivians fans.

‘That was my mental breakdown record – cause I didn’t know what I was doing and thought I might as well just document it” says Yarber. “People thought it was too classic rock and had too many slow songs.”

The latest record Don’t Throw Your Love Away has made a much better impression, landing in the number one spot of the Memphis Flyer’s 2005 Top 15 Local Albums of the Year. It’s the sort of attention that Yarber is still not used to.

“I just think people thought it was not so crazy – but it’s still not exactly what I had in my head, I think the newest record is closest to what I really wanted.” He says.

While Yarber has definitely been paid more in lip-service than he ever has in royalties, he still isn’t phased. A new Tearjerkers 7-inch 3 song EP will be released the first week in February on Bancroft with guest vocals from Margaret Garrett (Mr. Airplane Man) and slide guitar from Harlan T. Bobo, he’s about to go on tour in Europe with Knaughty Knights with former Lost Sounds’ drummer Rich Crook, and he just finished up recording with King Louie on his new project Loose Diamonds.

“I kind of look at it like there’s no insurance plan, so I pretty much know at this age, if I was gonna do something else, I would have turned around and done it years ago” says Yarber. “I think about getting out of it sometimes, but then before I know it I’m playing in three bands. I tried to work 5 days a week, but I like these hours better.”

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